STUNDE NULL (2019 – 2020)

Pre-drawn pattern of a contemporary ‘Ajami decoration

Pre-drawn pattern of a contemporary ‘Ajami decoration

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Suq al-ʿAttarin, view to east showing the destruction

Suq al-ʿAttarin, view to east showing the destruction

Waqf Ibshir Mustafa Basha, south western corner with former sabil

Waqf Ibshir Mustafa Basha, south western corner with former sabil

Suq al-ʿAttarin, view to west showing the destruction

Suq al-ʿAttarin, view to west showing the destruction

Main facade of Jamiʿ at-Tawashi mosque (stitched panorama)

Main facade of Jamiʿ at-Tawashi mosque (stitched panorama)

Hammam Bahram Basha, the cold section (barrani) after the destruction

Hammam Bahram Basha, the cold section (barrani) after the destruction

Application of the relief paste of a contemporary ‘Ajami decoration

Application of the relief paste of a contemporary ‘Ajami decoration

Damage pattern, partly collapsed dome of al-Bahramiyya mosque, Aleppo, Syria

Fig. 03-b, Catalogue of Damage

View at wooden structure in roofing space (Aleppo, Soap factory Fansa)

Roofing space

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Outlining and shadowing of motifs of a contemporary ‘Ajami decoration

Outlining and shadowing of motifs of a contemporary ‘Ajami decoration

Hammam Bahram Basha, the main facade after the destruction

Hammam Bahram Basha, the main facade after the destruction

Suq al-ʿAttarin, view to east showing the destruction

Suq al-ʿAttarin, view to east showing the destruction

Waqf of Ibshir Mustafa Pasha, siteplan of the building parts (English)

Waqf of Ibshir Mustafa Pasha, siteplan of the building parts (English)

Hammam Bahram Basha, the main facade after the destruction

Hammam Bahram Basha, the main facade after the destruction

Suq Aslan Dada, general view of the reconstruciton of the suq and the eastern facade of Khan as-Sabun

Suq Aslan Dada, general view of the reconstruciton of the suq and the eastern facade of Khan as-Sabun

Suq az-Zarb, view towards east of the suq after the destruction

Suq az-Zarb, view towards east of the suq after the destruction

Suq az-Zarb, general view of the suq after the destruction, view towards east

Suq az-Zarb, general view of the suq after the destruction, view towards east

Suq az-Zarb, general view of the suq after the destruction, view towards east

Suq az-Zarb, general view of the suq after the destruction, view towards east

Main fassade of Jamiʿ at-Tawashi mosque (video)

Aliya Alnuami is experimenting with new ways of painting and decorating ‘Ajami work

Aliya Alnuami is experimenting with new ways of painting and decorating ‘Ajami work

Suq Aslan Dada, view of the Mamluk coat of arms (rank) at the north entrance after completion of the rebuilding work

Suq Aslan Dada, view of the Mamluk coat of arms (rank) at the north entrance after completion of the rebuilding work

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Traditional house in neighborhood "al-Almaji"

Traditional house in neighborhood “al-Almaji”

Jamiʿ al-Khayr, main entrance after the war destruction

Jamiʿ al-Khayr, main entrance after the war destruction

Abdelraouf Baydoun working with the craft of ‘Ajami in his workshop in Malaysia

Abdelraouf Baydoun working with the craft of ‘Ajami in his workshop in Malaysia

Suq Aslan Dada, general view after completion of the reconstruction, view towards south

Suq Aslan Dada, general view after completion of the reconstruction, view towards south