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Bouquet of flowers and fruits in bowls on the wall cornice in the reception room (Qaʿa) of the Sadir house

Bouquet of flowers and fruits in bowls on the wall cornice in the reception room (Qaʿa) of the Sadir house

Aliya Alnuami is experimenting with new ways of painting and decorating ‘Ajami work

Aliya Alnuami is experimenting with new ways of painting and decorating ‘Ajami work

Rumi motifs forming the border of the frame, Aleppo Room wall frame, early 17th century

Rumi motifs forming the border of the frame, Aleppo Room wall frame, early 17th century

Motifs in Hatayi style, Aleppo Room wall frame, early 17th century

Motifs in Hatayi style, Aleppo Room wall frame, early 17th century

Motifs of quarter flowers in Kara Memi, Aleppo Room wall frame, early 17th century

Motifs of quarter flowers in Kara Memi, Aleppo Room wall frame, early 17th century

Motifs in Saz style, Aleppo Room wall frame, early 17th century

Motifs in Saz style, Aleppo Room wall frame, early 17th century

Khusrawiyya, interiour view at sudda (tribune) in Friday Mosque in 2008

Khusrawiyya, interiour view at sudda (tribune) in Friday Mosque in 2008

Bayt Wakil (Aleppo-Zimmer), a scene of a peacock from Wakil house’s wooden panels

Bayt Wakil (Aleppo-Zimmer), a scene of a peacock from Wakil house’s wooden panels

Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus

Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus

Aliya Alnuami is finalising her ‘Ajami work

Aliya Alnuami is finalising her ‘Ajami work

Chinese cloud motifs on the top side of the panel, Aleppo Room wall frame, early 17th century

Chinese cloud motifs on the top side of the panel, Aleppo Room wall frame, early 17th century

Çintamani motifs, Aleppo Room wall frame, early 17th century

Çintamani motifs, Aleppo Room wall frame, early 17th century

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Long-term security measure, protective roof until/ during reconstruction works, San Salvatore a Campi, Perugia, Italy

Fig.33_protective roof

Covering rubble infill, protective tarpaulin of outer walls, San Salvatore a Campi, Perugia, Italy

Fig.43_Protective tarpaulin of outer walls

Chinese cloud motifs on the top side of the panel, Aleppo Room wall frame, early 17th century

Chinese cloud motifs on the top side of the panel, Aleppo Room wall frame, early 17th century

Guideline Integrated Building Documentation

Rubble / Debris Management – General Guideline

Catalogue of Damage – Architectural Heritage

Abdelraouf Baydoun working with the craft of ‘Ajami in his workshop in Malaysia

‘Ajami or Damascene Painting: Traces of a Traditional Handcraft

Detail of a decorated wooden panel of the Damascus Room in the Dresden Museum for Ethnology

‘Ajami from A to Z

Conservation of the Grape Room made in 1835, house Nizam, Damascus

Conserving ‘Ajami Interiors – Challenges and Fascinating Discoveries

Hand printed table cloth from Hama at Hassan's Shop, Old Damascus

The Threads of Life: Syrian Textile Ornamentation

Between Traditions and Innovation: Interview with Aliya Alnuaimi

Between Traditions and Innovation: Interview with Aliya Alnuaimi

Part of a calligraphy with ‘Ajami decoration in the Damascus Room in the Dresden Museum for Ethnology

Secrets of the Old Master Artisans