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The prayer niche and the pulpit in the centre of the marble-clad south wall in the prayer hall of the Great Umayyad Mosque of Damascus
Bayt Wakil, dome of the reception hall from the inside
Fig.34-a_zoning of a rubble field
Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus
Yabrud: residential buildings as road-accompanying development
Rakhla: The City of Wine and Poetry in the Memory of its daughters
Madrasa al-Hallawiyya: interior view at the former Byzantine apse
Fig.01_Drone photograph showing damage in Aleppo
Jamiʿ al-ʿAdiliyya, capital with muqarnas of a column in the double arcade
Homs, Jamiʿ an-Nuri, the main mihrab
Homs, Western entrance, Jamiʿ an-Nuri
Archival drawing with sequence of survey of rooms (counterclockwise)
Fig. 03, Catalogue of Damage
Jamiʿ al-Mihmandar, the entrance half dome
Room 07 with code P01.L00.07.00.Wa
Jamiʿ al-Utrush, general view of western facade and minaret
Jamiʿ al-Utrush, general view of the western facade and the entrance
A view of the courtyard of al-Jamiʿ al-Kabir, Maʿarrat an-Nuʿman
Spools in the textile factory of the Mezannar family
Processes of the contemporary ‘Ajami handcraft: the application of metal foil
Stories
Aleppo, Khusrawiyya Complex, siteplan of the building parts (English)
Khusrawiyya Complex, siteplan of the building parts (Arabic)
Khusrawiyya Complex, damage mapping (English)
Khusrawiyya Complex, damage mapping (Arabic)
Room 07 with code P01.L00.07.00.Wc
Burj al-Ghanam, tower’s southern facade with its machicolation
Jamiʿ al-Utrush, western entrance
Making pickles
Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)
Aliya Alnuami is experimenting with new ways of painting and decorating ‘Ajami work
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