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Painting
Application of the relief paste of a contemporary ‘Ajami decoration

Application of the relief paste of a contemporary ‘Ajami decoration

Pre-drawn patterns of a contemporary ‘Ajami decoration

Pre-drawn patterns of a contemporary ‘Ajami decoration

Raqqa - "East of Raqqa" site - Tall Aswad - shard

Raqqa – “East of Raqqa” site – Tall Aswad – shard

Raqqa - "East of Raqqa" site - Tall Aswad - glazed pottery

Raqqa – “East of Raqqa” site – Tall Aswad – glazed pottery

Abdelraouf Baydoun working with the craft of ‘Ajami in Qasr al-ʿAzm

Abdelraouf Baydoun working with the craft of ‘Ajami in Qasr al-ʿAzm

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Aliya Alnuami is applying the relief paste on her ‘Ajami-work

Outlining and shadowing of motifs of a contemporary ‘Ajami decoration

Outlining and shadowing of motifs of a contemporary ‘Ajami decoration

Pre-drawn pattern of a contemporary ‘Ajami decoration

Pre-drawn pattern of a contemporary ‘Ajami decoration

Abdelraouf Baydoun working with the craft of ‘Ajami: Preparation of a wooden dome

Abdelraouf Baydoun working with the craft of ‘Ajami: Preparation of a wooden dome

Archaeological finds from Raqqa, exhibited in the Damascus National Museum

Archaeological finds from Raqqa, exhibited in the Damascus National Museum

Qalʿat al-Marqab, Fresco on the ceiling of chapel sacristy, 12th C.

Qalʿat al-Marqab, Fresco on the ceiling of chapel sacristy, 12th C.

Qalʿat al-Marqab, Fresco in ceiling of chapel sacristy, 12th C.

Qalʿat al-Marqab, Fresco in ceiling of chapel sacristy, 12th C.

Archaeological finds from Raqqa, exhibited in the Damascus National Museum

Archaeological finds from Raqqa, exhibited in the Damascus National Museum

Drawings at the entrance Qasr al-Hayr ash-Sharqi

Drawings at the entrance Qasr al-Hayr ash-Sharqi

Abdelraouf Baydoun working with the craft of ‘Ajami in his workshop in Malaysia

Abdelraouf Baydoun working with the craft of ‘Ajami in his workshop in Malaysia

Raqqa - "East of Raqqa" site - Western Palace, Glazed pottery

Raqqa – “East of Raqqa” site – Western Palace, Glazed pottery

Abdelraouf Baydoun working with the craft of ‘Ajami: Preparation of a wooden dome

Abdelraouf Baydoun working with the craft of ‘Ajami: Preparation of a wooden dome

Application of the relief paste of a contemporary ‘Ajami decoration

Application of the relief paste of a contemporary ‘Ajami decoration

Motifs in Hatayi style, Aleppo Room wall frame, early 17th century

Motifs in Hatayi style, Aleppo Room wall frame, early 17th century

Conservation of the Grape Room made in 1835, house Nizam, Damascus

Conservation of the Grape Room made in 1835, house Nizam, Damascus

Conservation of the Grape Room made in 1835, house Nizam, Damascus

Conservation of the Grape Room made in 1835, house Nizam, Damascus

Conservation of the Aleppo Room in the Museum for Islamic Art, Berlin (after)

Conservation of the Aleppo Room in the Museum for Islamic Art, Berlin (after)

Conservation of the Grape Room made in 1835, house Nizam, Damascus

Conservation of the Grape Room made in 1835, house Nizam, Damascus

Motifs of quarter flowers in Kara Memi, Aleppo Room wall frame, early 17th century

Motifs of quarter flowers in Kara Memi, Aleppo Room wall frame, early 17th century

Bouquet of flowers and fruits in bowls on the wall cornice in the reception room (Qaʿa) of the Sadir house

Bouquet of flowers and fruits in bowls on the wall cornice in the reception room (Qaʿa) of the Sadir house

Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus

Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus

Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus

Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus

Fragment with wall painting, 1st category remains, from San Salvatore a Campi, Perugia, Italy

Fig.20_1st category