Suq al-ʿAttarin, view to west showing the destruction
Hammam Bahram Basha, the main facade after the destruction
Waqf Ibshir Mustafa Basha, south western corner with former sabil
Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)
Main facade of Jamiʿ at-Tawashi mosque (stitched panorama)
Suq al-ʿAttarin, view to east showing the destruction
Aliya Alnuami is experimenting with new ways of painting and decorating ‘Ajami work
Outlining and shadowing of motifs of a contemporary ‘Ajami decoration
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Pre-drawn pattern of a contemporary ‘Ajami decoration
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Suq al-ʿAttarin, view to east showing the destruction
Application of the relief paste of a contemporary ‘Ajami decoration
Hammam Bahram Basha, the cold section (barrani) after the destruction
Fig. 03-b, Catalogue of Damage
Suq az-Zarb, view towards east of the suq after the destruction
Waqf of Ibshir Mustafa Pasha, siteplan of the building parts (English)
Suq Aslan Dada, general view after completion of the reconstruction, view towards south
Suq az-Zarb, general view of the suq after the destruction, view towards east
Suq az-Zarb, general view of the suq after the destruction, view towards east
Main fassade of Jamiʿ at-Tawashi mosque (video)
Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)
Hammam Bahram Basha, the main facade after the destruction
Suq Aslan Dada, view of the Mamluk coat of arms (rank) at the north entrance after completion of the rebuilding work
Jamiʿ al-Khayr, main entrance after the war destruction
Abdelraouf Baydoun working with the craft of ‘Ajami in his workshop in Malaysia
Traditional house in neighborhood “al-Almaji”
Roofing space
Destructions in Raqqa city center, 2018
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