Reverse side of the ceiling of Bayt Ḫazīna-Kātibī / Niẓām with ‘Ajami decoration
Traditional production of animal glue
Traditional production of animal glue
Production of a contemporary ‘Ajami decoration in a Syrian workshop
Painting of a calligraphy work of a contemporary ‘Ajami decoration
ceiling of Bayt Ḫazīna-Kātibī / Niẓām with ‘Ajami decoration
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Application of the relief paste of a contemporary ‘Ajami decoration
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Feature image- Saria
Jamiʿ al-Utrush, general view of the western facade and the entrance
ar-Rusafa, general view of Basilica B, cisterns and city wall
ʿAyn Dara, Bas-relief motif decorating some steps of the main entrance, southern façade of Ishtar Temple
part of the Muqarnaṣ cornice of the Aleppo Room, Museum for Islamic Art, Berlin
Ceiling and Reverse side of the ceiling of Bayt Ḫazīna-Kātibī / Niẓām with ‘Ajami decoration
Traditional production of animal glue
Panel with flower bouquet, from an unknown house near Bab Saghir, Damascus, presumably first half 18th century
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)
Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)
Outlining and shadowing of motifs of a contemporary ‘Ajami decoration
Aliya Alnuami is experimenting with new ways of painting and decorating ‘Ajami work
Maps of Aleppo: “Historical succession of buildings”, 1982
ar-Rusafa, Capital on the interior façade of the North Gate,
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